Little Me Time

by Charles Latham

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about

Recorded and Mixed by Greg Klaiber at Caveman Studios (Durham, NC), except "Next To Nothing Blues", recorded at home in Tennessee and re-mixed by Greg Klaiber.
Mastered by Jamie King, The Basement Recording (except “The Living Wage”, Nick Petersen, Track and Field Recording)
Photography by Phillip MacDonald - Cover Design by Rebekah Miel – Art Direction: Montana Torrey
All songs written by Charles Latham
Recorded in 2016 (except “The Living Wage”, 2015)

credits

released January 13, 2017

Stephen Mullaney: drums
Hunter MacDermut: bass
Omar Ruiz-Lopez: cello/mandolin/viola/fiddle
Gordon Hartin: pedal steel (except on "The Living Wage", pedal steel by Nathan Golub)
Catherine Edgerton: vocals, singing saw, handclaps, MIDI on "World's Most Interesting Man"
Christine Fantini: vocals, drums on "World's Most Interesting Man"
Ben Riseling: saxophone
Andy Shull: trumpet
Stephen Munoz: Wurlitzer
Reid Rogers: electric guitar on "Come Up Short"
Greg Klaiber: bass on "The Letter/Blank Pages", handclaps
Solveig Evjen: handclaps

tags

license

all rights reserved

about

Charles Latham Durham, North Carolina

"Latham's music is passionate with biting wit."--NPR

Charles Latham wields an acid tongue and a poison pen, crafting social criticism, tragicomic narratives, and brutal self-analysis into three and a half minute ramshackle folk-pop songs. His music is as equally influenced by folk and country as it is by punk, British Invasion-era rock, and Brill Building-style pop. ... more

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